Reputation as a patriarchal tool used to control and demean women her resignation to the reality of male jealousy and greed, depiciting it as a cruel inevitability GradeSaver, 29 September 2014 Web.Women murdered for adulterly regardless of their guiltĮmilia exposes the treatment of women as something destructive and entrenched in lust
OTHELLO CHARACTER ANALYSIS HOW TO
Next Section Glossary Previous Section Othello Video Buy Study Guide How To Cite in MLA Format J. Two Venetian nobles, both of some relation to Desdemona both play their biggest part after Desdemona has died, and must take the news of the tragedy back to Venice as officials of that city. He is the main law and order figure of Cyprus, and serves as damage control after Othello dies, and Iago is proven unfit. Pronounces judgment on Iago at the end of the play, comments on the situation, and helps to wrap the play up.
OTHELLO CHARACTER ANALYSIS FULL
She is the only female in the play whom Cassio shows less than full respect to, likely because she is a prostitute. BiancaĪ courtesan who Cassio visits frequently Cassio asks her to make a copy of Desdemona's handkerchief, and the fact that the handkerchief is found in her place further incriminates Cassio. Other authority figures of Venice, and men of reason and order they also support Othello and Desdemona's union, and Othello answers to them and the Duke in matters of war. The Duke also sends Othello off to Cyprus to battle the Moors. He allows Othello and Desdemona to stay together despite her father's protests. Ruler of the city, and Othello's superior. Iago promises Roderigo that he shall have Desdemona's love in return for his help Roderigo actually receives nothing but a disgraced death following his attempt on Cassio's life. RoderigoĪ Venetian who lusts after Desdemona, and thus a tool in Iago's plots. He is not at all pleased by Desdemona's union, and warns Othello that as Desdemona betrayed her father, she may betray her husband too. Brabantioĭesdemona's father, a senator and renowned citizen of Venice. She remains loyal to Desdemona above all others, although she unwittingly plays a key part in Iago's treachery. Emilia is not aware of her husband's machinations, nor his darker qualities. She is entrusted with bringing people into Desdemona's presence, staying with her at all times, etc.
He is immoral, but very perceptive, keen, and able to manipulate people into falling for his deceptions. Iago is young and treacherous he is a villain from the start, and though he cites his wounded pride and Othello's alleged infidelity with his wife Emilia, his actions are without justification. Othello's ensign who was passed over for the lieutenant position in favor of Cassio. Othello is led to believe that Cassio has had an affair with his wife, though Cassio has only honorable intentions toward Desdemona. Cassio is a smooth-talking Venetian courtier, the opposite of Othello in many respects, which is why Othello admires him. Othello's lieutenant, though he has little field experience. She is stronger than Othello believes her to be, and is not the private, withdrawn, meek woman he wish she were. Desdemona is almost overly virtuous, which causes her to feel that she must defend Cassio, and speak in a public sphere when necessary. Othello's wife, a young Venetian woman of high birth and good breeding. Although Othello is very eloquent, he believes his manners and words are both rough. Othello is bold and a good warrior, but he is a good man undone by his two main failings - jealousy and pride.
He falls in love with, and marries, the delicate Desdemona though he is middle-aged, and she is still young. A Moor, and an officer in the Venetian military.
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